心游万象·澄明：梁铨个展

景宁、惠明、标溪、沙湾，江南氤氲在梁铨的记忆和心间，也时常显影于他的画作。直线、圆片、孔格、星芒，从错落有致的扁平符号再度溯回多年以前走过的山林小径、人家渔火，时间却在另一头骤然失焦。无比真实的经验与不可捉摸之感纵横交错，最终在苍郁和疏淡之间的中分位上凝留下几点亦深亦浅的禅意墨迹。

梁铨生于上海，祖辈是广东中山人。1968年，二十岁的梁铨从浙江美术学院附中毕业，被分配至丽江地区云和县的一个地方文化馆工作，三十二岁赴美留学，后又归国辗转至中国美术学院版画系执教近二十载。1995年，梁铨"回"到广东，栖于深圳，在当时的深圳画院画上了职业句点。梁铨的画如同他走过的路一样，翻山越岭、明晰又浩渺，在幽缓谦和的具身通途中耕一隅自在与仁智。

忆起苏州，梁铨总共去过三次，生平第一次去到姑苏是在1965年。从杭州到苏州，在京杭大运河的航道上船行一宿，第二天一早醒来便已抵达姑苏，"船上闹哄哄的，其实根本睡不着，但当时景象真的就像古诗里写的那样：'夜半钟声到客船'，还有'小桥流水人家'。"梁铨叙起吴地记忆，言语中总也难掩对江南风情的绵绵喜爱。第二次是由南京顺访苏州，"紫金庵是那次太湖行的惊喜。庵里存放着很好的泥塑彩绘罗汉像，国内现今仅存两堂半。"时隔多年，第三次再到苏州是在近年不久，梁铨忆道："那次是特地去看贝聿铭设计的苏州博物馆。苏州的艺术家也是那种感觉，秀气又精道。"

苏杭之间，杭州经过南宋侵染混合了更多的北方气质，苏州与之相比起来"仍是正宗的吴侬软语、江南水乡。"此次展览适逢H+美术馆正式开馆之际，梁铨个展"澄明"将以澄澈明静的精神气息铺陈至美术馆三层和四层，展出作品包括《古岭》系列和《新泉》系列共43件/组，以及一件由H+美术馆委任创作的装置作品《江南》，整体组合旨在层叠的安宁与秩序中望向故乡、记忆与文明深处。正所谓"一方水土养一方人"，或许游士的答案从不在于对未来的无尽推演中，而是早已映刻在一景一情、一期一会的故人慧语间。

▋艺术顾问：刘晓都
▋主办方：H+美术馆
▋协办单位：红树林画廊、坪山美术馆
▋特别致谢：拾萬空间、应空间、陈珉皓、李佳、毕竞

Jingning, Huiming, Biaoxi, and Shawan—regions of Jiangnan are steeped in the memory and heart of Liang Quan, often revealing themselves within his art. Straight lines, circular discs, latticed grids, and bursts of starlight expand from the interlaced, flattened symbols, returning once more to the mountain paths and riverside lanterns of decades past. Yet time, at the far end, suddenly slips out of focus. Vivid experiences and elusive impressions entwine and intersect, lingering at the delicate midpoint between abundance and restraint, where ink traces both deep and faint quietly evoke the spirit of Zen.

Liang Quan was born in Shanghai to a family whose ancestors hailed from Zhongshan, Guangdong. In 1968, at the age of twenty, Liang graduated from the Affiliated High School of the Zhejiang Academy of Fine Arts and was assigned to work at a local cultural center in Yunhe County, Lijiang. At thirty-two, he left to study abroad in the United States, later returning to China to teach in the Printmaking Department at the China Academy of Art for nearly two decades. In 1995, Liang "returned" to Guangdong, settling in Shenzhen, where he concluded his professional journey at the Shenzhen Fine Art Institute. Liang's paintings, much like the paths he has traveled, traverse mountains and rivers, at once clear and boundless, cultivating a quiet corner of contentment and wisdom through a journey marked by gentleness and humility.

Recalling Suzhou, Liang Quan has visited three times in total, with his first journey to Gusu taking place in 1965. Journeying from Hangzhou to Suzhou, he traveled along the Grand Canal, spending one night on the boat; by dawn, he had already arrived in Gusu. "It was lively and noisy on the boat, making sleep nearly impossible, yet the scene truly echoed the ancient verses: 'Bells break the ship-borne roamer's dream and midnight still,' and 'Under a small bridge near a cottage a stream flows.'" As Liang Quan speaks of his memories of Wu, his words are always tinged with an enduring fondness for the scenery of Jiangnan. The second visit came on a trip from Nanjing to Suzhou. "Zijin Temple was the most unexpected delight on that journey around Taihu Lake," he remembers. "Within the temple are remarkable colored clay sculptures of Arhats, two and a half halls remain in China today." His most recent, third visit to Suzhou was just a few years ago, Liang Quan recalls: "That time I went especially to visit the Suzhou Museum designed by Ieoh Ming Pei. The artists of Suzhou possess that distinct sensibility—graceful, refined, and highly capable."

Between Suzhou and Hangzhou, Hangzhou, after absorbing the influences of the Southern Song, has inherited more of a northern temperament, while Suzhou remains, in contrast, "the authentic keeper of its pleasant-sounding Wu dialect and Jiangnan's river towns." On the occasion of the opening of H+ Art Museum, Liang Quan's solo exhibition, "Illuminated," brings a spirit of clarity and tranquility to the museum's third and fourth floors. The exhibition presents 43 pieces and groups from the "Green" and "New Spring" series, along with an installation, "Jiangnan," specially commissioned by H+ Art Museum. Together, these works gaze toward the depths of homeland, memory, and civilization from within a layered harmony and quiet order. As the saying goes, "Each place nurtures its own inhabitants;" perhaps the answer for a traveler is never found in endless speculation about the future, but already shimmer in every scene, every feeling, and in the wise words of one time, one meeting.

▋ Exhibition Information
Roaming the Cosmos of the Heart—Illuminated: Liang Quan Solo Exhibition
Date: November 9, 2025 – February 28, 2026
Venue: H+ Art Museum, 3F-4F

▋ Art Advisor: Liu Xiaodu
▋ Organizer: H+ Art Museum
▋ Co-organizers：Mangrove Gallery, Pingshan Art Museum
▋ Special Thanks: Hunsand Space, Ying Space, Chen Minhao, Li Jia, Bi Jing